Kollódium-archive 120.
Everything is a spectacle. In visual dumping, the spectacle obscures reality. Be it dance, fashion, images; we are not looking for content or meaning, we are looking for information - and stimulation. Yet there is always something lurking beneath the visible that goes beyond the spectacle.
Nowadays we just use the other person. Each other's knowledge, each other's personality, each other's body. Everyone becomes a commodity, like culture itself. We're not looking for people in each other, but for opportunity, profit - and stimulation.
Yet there is something in everyone that goes beyond the visible.
Schedule
For seven years, László Gálos has been making photomontages of his glass images, created for a variety of purposes - to discover what lies deep beneath beyond the intended view.
Fanny Müller, dancer and actor, has also worked as a nude model for thirteen years. She gives her body, developed as a performing art tool, to other artists in its most elemental and intimate form - so that they can freely express themselves through it.
She has also worked in Gálos' paintings for six years.
Where is and what does the human and the artist become in the body as female object?
What does the artist become if he only uses human bodies?
Is there a human being in the depths of the spectacle?
Part 120 of the photomontage series attempts to answer this question by stepping out into time and space as a stage performance, placing Fanny Müller in a double role: she is free to create her dance solo, but in the knowledge that László Gálos' images are projected onto her throughout the performance. In other words, she can move from the forced role of the spectacle to the underlying content, functioning both as an independent actor and as a screen - if such a thing still exists.
Jurányi House
The Jurányi Production Community Incubator House has become a key venue in the capital's cultural life, a vibrant hub of the contemporary art scene. Our aim in creating the Jurányi was to find a stable, shared home for the independent theatre and creative arts sector, providing the infrastructure necessary for its day-to-day operations. We wanted to create a cultural centre in the Buda area, a "contemporary art house" where theatre-loving young people could spend a few hours over a coffee or even a theatre performance, a creative children's activity or an acrobatic movement class, thus re-filling the abandoned educational institution with an active community life. Jurányi is more than just a theatre in Buda, it is a creative and creative base where visitors can enjoy a varied artistic, community, and educational program, in addition to a regular repertoire of 300 productions a year. We are proud that the Jurányi House is now a graduation subject in some art schools.