EMMANUEL ROSARIO: NYC PUNK SCENE

2025-10-28T11:00:00.000Z  -  2025-12-07T18:00:00.000Z

EMMANUEL ROSARIO: NYC PUNK SCENE

The exhibition is free to visit:

October 28 – December 7, 2025

Tuesday to Sunday, from 12 PM to 7 PM

Closed on Mondays and public holidays.

Curator: László Baki

Emmanuel Rosario, born in 1989 to Dominican immigrant parents, found photography to be a means of escape from a challenging childhood in Harlem. He received his first camera in 2006 and soon realized that photography was not just a form of expression but also a way of life. According to Rosario, he was inspired by artists such as Mary Ellen Mark, Nan Goldin, Larry Clark, and his friend Theo Gosselin—artists known for portraying communities on the margins of society with a deeply personal and honest approach. A similar sense of intimacy and closeness permeates Rosario’s photographs, particularly in his award-winning series NYC Punk Scene, which documents the life of today’s punk community in New York.

Oct
28
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Dec
07

Schedule

EMMANUEL ROSARIO: NYC PUNK SCENE

The exhibition is free to visit:

October 28 – December 7, 2025

Tuesday to Sunday, from 12 PM to 7 PM

Closed on Mondays and public holidays.

Curator: László Baki

Emmanuel Rosario, born in 1989 to Dominican immigrant parents, found photography to be a means of escape from a challenging childhood in Harlem. He received his first camera in 2006 and soon realized that photography was not just a form of expression but also a way of life. According to Rosario, he was inspired by artists such as Mary Ellen Mark, Nan Goldin, Larry Clark, and his friend Theo Gosselin—artists known for portraying communities on the margins of society with a deeply personal and honest approach. A similar sense of intimacy and closeness permeates Rosario’s photographs, particularly in his award-winning series NYC Punk Scene, which documents the life of today’s punk community in New York.

The series began in 2020, and since then, Rosario has actively worked to portray the 21st-century face of the punk subculture. “Punk in New York has never died—it has simply transformed,” the photographer explains. Rather than observing the scene from a distance, he builds his visual narrative as an active participant, relying on friendships within the community. His photographs offer a glimpse into the everyday lives of his subjects, showcasing moments inside apartments, at concerts, during house parties, and in street scenes—environments typically hidden from mainstream society. This honest access distinguishes Rosario’s work; he not only documents but also engages with the community he portrays with deep empathy.

Rosario’s series goes beyond mere documentation. His images offer a thoughtful reflection on how the spirit of punk persists in a world where social conformity is becoming an increasingly dominant expectation. The subjects of NYC Punk Scene are diverse, yet they are united by their commitment to living by their own standards. The raw honesty in Rosario’s work is not self-serving; rather, it serves as both an aesthetic and ethical foundation that defines his entire practice. He captures authentic moments that defy convention, favoring genuine, unfiltered expression over spectacle and staged compositions.

The 28 photographs on view at PaperLab Gallery are not only a visual record of the punk subculture, but they also pay tribute to the spirit that made the punk movement a defining cultural phenomenon in New York City. Rosario’s work helps preserve this important cultural legacy, offering an intimate and sensitive perspective on punk.

Location

Hungarian House of Photography - Mai Manó House

Mai Manó House – The Hungarian House of Photographers – operates in a studio-house built at the end of 19th century, for the commission of Mai Manó (1855-1917), Imperial and Royal Court Photographer. This special, eight-story neo-renaissance monument is unique in world architecture: we have no knowledge of any other intact turn-of-the-century studiohouse. In addition, it serves its original goal, the case of photography again.

The aim of Mai Manó House is to advance the development of Hungarian photography and raise photography’s national prestige as a distinct form of art.

The institution plays a marked role in the cultural life of Budapest and Hungary, while the organization of exhibitions and programs abroad is getting more and more emphasis within its activities. The reputation of justly world-famous Hungarian photographers of the 20th century offers a great opportunity to regain our old status in the world of photography by the introduction of the generations following those great masters

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