Vektor immersive section vol. 6.

2025-11-13T17:00:00.000Z  -  2025-11-19T19:00:00.000Z

As part of the Verzió International Human Rights Documentary Film Festival, Vektor presents its sixth immersive exhibition, showcasing 11 international works, each premiering in Hungary.

The 2025 selection, titled Traces, focuses on the digital, emotional, and reflective imprints left by human experience in a technology-driven world.

Expanding the language of cinema into spatial and interactive forms, the exhibited works explore new ways of preserving, reinterpreting, and releasing the traces of our shared stories.

Nov
13
-
Nov
19

Schedule

Now in its sixth edition, our section presents works that use technology to reflect on the shifting conditions of contemporary life. In a world driven by constant innovation and forward motion, we rarely pause to look back to consider what endures, what fades, and what traces remain of our collective experiences. This year’s theme, 'Traces', turns our attention to the marks we leave behind – digital, emotional, and reflective – revealing different layers of human experience. Expanding the language of cinema into spatial and interactive forms, the selected works seek new ways to preserve, reinterpret, and release the imprints of our shared stories. More information about the exhibited artworks, link here.

Free entry. Online booking is required, but on-site registration is also available if capacity allows.

Location

Galeria Centralis

Galeria Centralis is both an integral part and an extension of the Blinken OSA Archivum: it reflects on, opens up, and makes available to the larger public what is usually hidden, unavailable, and used only by a select group of researchers. The exhibition hall and its virtual incarnation provide additional space for reflection on the nature of the archive and the document, bringing into question the relationship between the past and the present, their perception and representation. By relating textual traces of the past to visual signs, by presenting radically new contexts for the objects of the past, it allows for unexpected new readings.

The Galeria aims at resonance: helping visitors to understand the dynamics of the world from which the documents (text, images, and objects) emerge, and to witness the changes that the interplay of the documents in new contexts creates.

The Galeria, especially its virtual version, is consciously used as an educational tool for institutions of higher learning, balancing on the intersection between creative artistic presentation and scholarly representation, and provides specific, high-quality material on recent history and human and information rights.

The exhibitions and public programs of the Galeria Centralis are admission-free.

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