Interactive studio workshop

A musician's ideal studio in 2025 might be an eye laptop in a hotel room, a cassette recorder in the kitchen, a sampler in the bed, a 32-track digital mixing desk in a rehearsal room, a tape synthesizer in Dad's study, or a vintage junk shop in a village barn. The point is that the toolset and the workspace should stimulate the musician's creative thinking and technically push the threshold of 'good enough'. But what are the criteria for choosing from a palette of recording tools for popular music from the 1950s to the present day? How do we get the most out of our wallets? What does 'good enough' mean? And who will listen to the music we take so much care to make? These and similar questions will be answered at the Hungarian House of Music's interactive workshop with musician-producer-sound engineer András Weil in January.