dunaPart 2026 / farkas d. gergő: mama

insides out

backs turned to time

a thousand tongues cry

for a shelter

mama is a choreographic space at the intersection of the enigmatic and the sensual. By exploring a set of mysterious organs, mama blurs the boundaries between inside and outside and opens up an embodied experience of self-alienation – the human being is challenged and stimulated less as an identity than as material. The performance creates a web of countless entanglements in which sensuality and eroticism go beyond interpersonal contact and become the driving force of belonging.

In mama, gergő d. farkas continues organ-ing – a choreographic research that has already been developed and tested in their dance solo babes. Organ-ing combines physical experiences with fictional elements to spark new fantasies that interweave with the already inscribed narratives of the body. This practice aims to create a form of ‘worlding’ that does not end at the boundaries of the body – a space in which the material and the fantastic merge in a constant interplay.