MAO legendary albums | ORNETTE COLEMAN: SOMETHING ELSE
2024-05-14T18:00:00.000Z
PUBLISHED:
Kornél Fekete-Kovács - trumpet
Kristóf Bacsó - alto saxophone
Cseke Gábor - piano
Barcza Horváth József - double bass
László Csízi - drums
In the Legendary Albums series concerts, the Modern Art Orchestra performs material from albums of particular significance to jazz history. The concerts are not only a tribute to jazz legends and their works - the workshop behind the Legendary Albums is also a process of development. The musicians of the MAO study and internalise all of the current album material, leaving the musical structures and instrumentation intact for the performances. As improvisation and soloistic expression are essential components of the jazz language, the musicians naturally perform improvised solos at the concerts. Thanks to the respect for original compositions and orchestrations and the improvisations of musicians of the quality that the Modern Art Orchestra is known for, the Legendary Albums bring listeners into contact with the tradition of jazz masterpieces and guarantee a fresh musical experience.

May
14
Schedule
MAO Legendary Albums | Ornette Coleman: Something Else
When the Memphis-born Coleman moved to Los Angeles, a loose circle formed around him, including drummer Billy Higgins, who brought his trumpeter friend Don Cherry with him. A seminal record of the youthful experimentation, featuring Walter Norris on piano and Don Payne on bass, was released in 1959 as Something Else!!!!, thanks to producer Lester Koenig at the Contemporary label. Contemporary music was greeted with scepticism, not everyone understood the essence of the new direction, which the saxophonist himself felt he had not yet really found: 'I think the time will come when the music will be much freer,' he noted in the album's cover lyrics. Indeed, from the perspective of the Free Jazz (1961) programmatically titled album, and after all these decades, this material certainly doesn't seem wildly trappy, with dissonances and surprises that don't explode the form. They were attracted by an experiment in new form, not formlessness. Coleman's white plastic alto saxophone, with its opalescent sound, especially Don Cherry's pocket trumpet, with which they seemed not quite in tune, was unusual, while the rhythm section was even more associated with them in a traditional bebop perception. But let them be told, Coleman's compositions were challenging enough that the traditional and the innovative perceptions blended interestingly in the playing of the quintet as a whole. Over time, this material has lost none of its interest.
Location
Opus Jazz Club
Adventurous European jazz and great Hungarian cuisine in the heart of Budapest
Similar Events
Telekom Spots is an open event listing platform where anyone can upload their own events for free. Telekom is not the organizer or sponsor of the events, unless explicitly stated for a specific event.



















