GYÖRGY TÓTH: PATH (EMOTIONS BENEATH THE SURFACE)

2026-02-05T17:00:00.000Z  -  2026-03-08T18:00:00.000Z

The exhibition is open to the public:

6 February 2026 – 8 March 2026

Tuesday – Sunday from 12 to 7 pm

Closed on Mondays and public holidays

Curator: Péter Baki

Co-curator: Gáspár Kéri

Opening: 5 February 2026, Thursday, 6 pm

The exhibition will be opened by Dávid Fehér, art historan.

Feb
05
-
Mar
08

Schedule

György Tóth’s autonomous photographic oeuvre emerges from the experimental boundaries of the medium, where technical precision and the instinctual creative action blend into a single gesture. His images are not about capturing the moment but about recreating them as imprints of light and time in motion. The use of controlled chance in his work is not a contradiction; rather, it is an ars poetica, which manifests itself in the regulated order of irregularities, in the invocation and simultaneous control of chance throughout the photographic process.

The exhibition material – shaped in part by a comprehensive archival reorganization undertaken during the pandemic – presents Tóth’s iconic works and a selection of rarely seen photographs, many of which have only been shown abroad or have never been exhibited. The experimental phase that began in the late 1980s marks a shift from applied photography to fully autonomous artistic practice. Spanning over three decades, this period revolves around a central inquiry: how time and the human body can be visually represented while exploring the paradoxical relationship between movement and stillness.

A bilingual Hungarian–English catalogue is being published to accompany the exhibition, which will be presented by Gáspár Kéri the exhibition’s co-curator, during a special guided tour on February 6, 6 pm.

Please note that the exhibition is accessible exclusively to visitors aged 18 and above.

Location

Hungarian House of Photography - Mai Manó House

Mai Manó House – The Hungarian House of Photographers – operates in a studio-house built at the end of 19th century, for the commission of Mai Manó (1855-1917), Imperial and Royal Court Photographer. This special, eight-story neo-renaissance monument is unique in world architecture: we have no knowledge of any other intact turn-of-the-century studiohouse. In addition, it serves its original goal, the case of photography again.

The aim of Mai Manó House is to advance the development of Hungarian photography and raise photography’s national prestige as a distinct form of art.

The institution plays a marked role in the cultural life of Budapest and Hungary, while the organization of exhibitions and programs abroad is getting more and more emphasis within its activities. The reputation of justly world-famous Hungarian photographers of the 20th century offers a great opportunity to regain our old status in the world of photography by the introduction of the generations following those great masters

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