MIKOR JÖSSZ MÉG? JÖVŐ NYÁRON.
"I moved from Romania when I was five and I go back to visit my relatives in the summer. Now I only go back for two people, Buni and Timi. Buni, my grandmother, and Timi, my cousin the same age as me. They are both very important
- yet only intermittently intense - parts of my life. And the stories I shared with them are the pillars of my childhood.
Schedule
Every year I spend a few days at home, trying to relive my childhood. I take the same pictures involuntarily every year and long for my own past. Maybe it's because I don't have any photos from that time in my life. When I was a child, when these places and people were my only reality, I had no way of knowing that in the future, this corner of my life would be mostly a memory.
This summer has been different from the ones I've had so far. Bunin is looking more and more like he's getting older. And Timi is expecting a baby. The distance I felt before is getting bigger and bigger, and it's harder and harder for me to relive the idyll I had as a child."
Noémi Szécsi graduated from the Moholy-Nagy University of Art and Design in 2022 with a Master's degree in photography. Her work has always focused on something unusual or bizarre: she has taken pictures of witches ("It can't rain forever"), funeral home workers ("Memento mori") and backdrops ("Ashes to Ashes"). Now she presents an absolutely personal story on the walls of Telep Gallery.
TELEP
Not even Gozsdu was standing when TELEP was, and it's still welcoming the most easy-going human elements.
